PUBLICATIONS

Francisco Tomsich writes and publishes since 2002 literary texts, essays on arts and literature and translations (from English, German, French, Portuguese, Slovene and Swedish) in journals, collective books, anthologies and magazines from Argentina, Brazil, Germany, Great Britain, Israel, Mexico, Slovenia, Uruguay and U.S.A. Between 2007 and 2014 he was part of the staff of the weekly journal Brecha (Montevideo, Uruguay). Since 2014 he integrates the editorial board of the magazine MUSEO (Museum of Contemporary Art of Montevideo). He was the editor of .TXT, a Montevideo-based digital magazine of young literature from the Southern Cone and beyond (2005-2006, 2011-2012, 2017-2018). He has edited, designed and illustrated numerous books, artist’s books, photobooks and web projects and collaborates with the publishing house Malinc (Slovenia). He has written numerous songs for musicians and composers. In 2012 he was awarded with the National Prize for Literature from the Ministry of Culture of Uruguay.

Books: Bivališča Branislave Sušnik | Moradas de Branislava Susnik (co-editor and author; Medvode: Malinc, 2020), Tempel der Medusa | Templo de Medusa (Belgrade: Ediciones del Viento, 2015), Codex (artist’s book, Montevideo, 2010), Sonetos a dos (together with Horacio Cavallo; Montevideo: Trilce, 2009) and the series of six books + multimedia publications from Transposed Study for a Common Portrait (TDUEPURC, Montevideo and Porto Alegre, 2008 – 2012).

2022

• Common denominator/Skupni imenovalec. Fanzine, exhibition project. Cirkulacija2, Ljubljana, Slovenia.

2021

• Pregelj, Barbara; Tomsich, Francisco; “La recepción de la literatura latinoamericana en Eslovenia en los an~os 1960-1970: hacia una lista exhaustiva de entradas bibliográficas” (The reception of Latin American literature in Slovenia in the 1960s and 1970s: towards a comprehensive bibliography. Ars & Humanitas, 15, Vol. II, Ljubljana, 2021.
• “O ilustracijah” [On the illustrations]. In: Paragvajske pravljice. Medvode, Malinc, 2021, pp. 97-101.
• Two poems (“Guiso, Palo y piedras” and “Interior oscuro, XIV”): “Ars longa, vita brevis” series, edited by Dora Bržan for the weekly journal Mandrač (Izola, Slovenia), 25.11 and 2.12.2021.

2020

• Francisco Tomsich and Barbara Pregelj (eds.), Bivališča Branislave Sušnik | Moradas de Branislava Susnik. Medvode: Malinc, 2020.

• Some Broken English Poems. In: ~lish journal. London, 2020.
• Francisco Tomsich, “Una muestra fundacional”. In: Lukas Kühne and Fabrice Lengronne (eds.), Forma y sonido. Quince años de arte sonoro en el Uruguay. UNQ, 2020.
• Two poems, translated into Slovene by Dhyana Mlakar. In: PARALELE, Nr. 23, “42. obletnica srecanj Sosed tvojega brega”, Ljubljana, JSKD, 2020, p. 145.
• Poems from Idea Vilariño, Gabriel Yeannoteguy and Clemente Padín, translated into Slovene by Ana Beguš and Francisco Tomsich (Poezija v prevodu). Mandrač, Izola (Slovenia, 6.2.2020)
• Co-edition, coordination, proofreading, original texts, design, illustrations, concept and web development of the publications from the international research platform Bivališča Branislave Susnik | Moradas de Branislava Susnik.
• Translations, editions and related materials for Poezija v prevodu, [Poetry in translation], a plattform for translation into Slovene language and dissemination of contemporary poetry founded in 2019 in Izola, Slovenia, by Ana Beguš and Francisco Tomsich.

2019

• El país que persiste en las películas. Una introducción conversada al cine yugoslavo. Entrevista con Guido Herzovich. Buenos Aires, Eslavia, N. 4.
• “El hardware de tu luz” (Tango). In: Miguel Angel OLIVERA and Alvaro OJEDA (eds.), La nueva letra del tango uruguayo. Montevideo: Ministry of Education and Culture, 2019.
• Branislava Sušnik med vodami, a publication on the first stage of the project Simbolni spomenik Branislavi Sušnik. Malinc publishing house, 2019.
• Rp. Lirikon21 (PDF), a publication of the International Literary Festival Lirikonfest, Velenje, Slovenia, 2019. It includes the integral series of Las Madres poems translated into Slovene by Barbara Pregelj, who also won the translator’s prize of the year.
• Translations, editions and related materials for Poezija v prevodu, [Poetry in translation], a platform for translation into Slovene language and dissemination of contemporary poetry founded in 2019 in Izola, Slovenia, by Ana Beguš and Francisco Tomsich.

2018

• Descielo. Fragmentos de un diálogo con Augusto Gadea. Catalogue: En las tierras re-vueltas, Augusto Gadea, City Museum Juan Manuel Blanes, Montevideo, 2018, pp. 8-21.
• La Bataille de Nancy. Journal de Travaille. Nancy International Film Festival, August-September, 2018.

• “Considera esto”, in: Uruguachas – Poéticas  en Uruguay 2018. La coqueta editora de poesía, Montevideo. Anthology of contemporary Uruguayan poetry curated by Martín Barea Mattos.
• Edition, coordination, design, web development, translations and original texts for .TXT  (Third Epoch), a publication and translation platform for young literature from the Southern Cone and beyond founded in 2004 by a Montevideo-based group of artists and writers. .TXT was active in 2004-5 (First Epoch), 2011 (Second Epoch) and 2017-2018 (Third Epoch).

• Ovalni portreti in mladenič, ki jih gleda, in: María Teresa Andruetto, Stefano. Slovene translation by Barbara Pregelj, illustrated by Francisco Tomsich. Malinc, 2018.
• El frío. Artist book, 19 pages. Edition for the homonymous exhibition by Guillermo Stoll and Francisco Tomsich, Galerija Zelenica, Ljubljana, 9.3.2018.
• Como el témpano flotante. MACMO, Magazine MUSEO, Vol. 4, N. 1.
• “Rog is a symptom: Notes on the history of art production in Autonomous Tovarna Rog” In: Časopis za kritiko znanosti 270, Ljubljana, Slovenia, January 2018.

2017

• Desfase en dirección única. Notas sobre los orígenes del video arte en Uruguay y Eslovenia. Ars & Humanitas, L. 11, Št. 2 (2017): Latinska Amerika: Družbenozgodovinski, literarni in jezikovni vidiki. Ljubljana, 2017.
• Edition, coordination, design, web development and original texts for .TXT  (Third Epoch), a publication and translation platform for young literature from the Southern Cone and beyond founded in 2004 by a Montevideo-based group of artists and writers. .TXT was active in 2004-5 (First Epoch), 2011 (Second Epoch) and 2017-2018 (Third Epoch).
• One direction gaps: origins of the video art in Uruguay and Slovenia, SCCA, Ljubljana, October, 2017, in the framework of the exhibition Slow Motion Scream. Early video art from the Southern Cone. An exhibition of video art works from Argentina, Chile and Uruguay between 1981 and 2001.
• Conclusión: hallazgos, puntos de acuerdo y recomendaciones para la producción transformativa de arte y la creación de coaliciones. Translation into Spanish of Raedle, Rena & Jeremić, Vladan, Contradictions and Transformative Trajectory of Art & Labor.
• Cascanueces para el secreteo: el caso ArtLeaks. In: esferapublica.org, 13-3-2017.
• Batimento. la diaria, Montevideo, Uruguay, 12-1-2017.
• Rog: an unfinished portrait, AzucarMag, Berlin, 8-1-2017.

2016

• Theory #Velenje. Exhibition guide. Francisco Tomsich | Kunigunda Festival of Youth Culture, Velenje, Slovenia, August 2016.

• De la crítica institucional a la recuperación reversa. Una entrevista con Suzana Milevska [From Institutional Critique to Reverse Recuperation: An Interview with Suzana Milevska]. Magazine MUSEO, Vol 3, N. 1, Museum of Contemporary Art of Montevideo (MACMO), Montevideo, Uruguay.
• Círculos sobre lo institucional [Circles around the institutional]. Magazine MUSEO, Vol 3, N.1, Museum of Contemporary Art of Montevideo (MACMO), Montevideo, Uruguay.
• América invertida: An anthology of Younger Uruguayan poets. Jesse Lee Kercheval, ed., University of New Mexico Press, 2016.
• Usos del concepto de gótico y la obra de William Blake [Usages of the concept “Gothic” in William Blake’s ouvre]. Magazine Círculo de Poesía, Mexico, 16-26/03/2016.

2015

• Templo de Medusa | Tempel der Medusa. Ediciones del Viento/ Libros de Anticlimacus, Belgrade, Serbia, 80 pages (English, Spanish and German texts).

• De qué se repite, cómo y por qué. Modelos de re-enactment en el arte contemporáneo y actual: un panorama crítico [On what is repeated, and how and why: a critical view of re-enactment models in contemporary and actual art]. Magazine MUSEO, N° 1, Museum of Contemporary Art of Montevideo (MACMO), Montevideo, Uruguay.
• Sonetos a dos. A selection from the homonymous book by Horacio Cavallo and Francisco Tomsich (2009), translated by Geoffrey Brock. In:Palabras Errantes, “Latin American Literature in Translation” section.

2014

• 1000 Millones. Poesía en lengua española del siglo XXI. International anthology of young poetry in Spanish. FIPR, Rosario, Argentina.

2012

• “Uruguay, poetry of”, for The New Princeton Encyclopedia of Poetry and Poetics. Greene, Roland; Cushman, Stephen; Cavanagh, Clare; Ramazani, Jahan, Rouzer, Paul, eds., Princeton, U.S.A.
• TDUEPURC #6 TAMBORES. TDUEPURC / 1st Montevideo Biennial, Montevideo, 2012

• “Aproximaciones a mi generación a través de la crítica institucional (fragmentos de una entrevista colectiva)” [Approaches to my generation through institutional critique], in: El arte que hacemos y qué hacemos con el arte [The art we make and what we make with the art], Contemporary Art Center of Montevideo (EAC) Publications, Vol. 3, November 2012, Montevideo, Uruguay.

• “Fragmentos escogidos de un texto territorial”, in: Pelenur, Martín, Extractor voyeur, Catalogue, Alliance Française Montevideo, Montevideo, Uruguay, 2012.

2011

• TDUEPURC #5 FUNSA. TDUEPURC / Goethe Institut, Montevideo, 2011.

• Edition, coordination, design, web development and original texts for .TXT  (Second Epoch), a publication and translation platform for young literature from the Southern Cone and beyond founded in 2004 by a Montevideo-based group of artists and writers. .TXT was active in 2004-5 (First Epoch), 2011 (Second Epoch) and 2017-2018 (Third Epoch).
• Three poems (“Paisaje imaginario N°9”, “Haiku”, “Sin título”),  in: Muestra de la joven poesía uruguaya, Magazine La Otra, Mexico.

2010

• CÓDEX. Artist book. Displayed at the exhibition Loess (City Museum of Fine Arts Juan Manuel Blanes, Montevideo, Uruguay, 2010-2011).

• “Despedirás tu enigma”, in: Poemas tenemos todos, Festival Eñe América, Montevideo, Uruguay, August, 2010, p.14.
• TDUEPURC #4 DE CORRALES A TRANQUERAS. TDUEPURC / Ministry of Education and Culture, Montevideo, 2010.

2009

• Sonetos a dos. Together with Horacio Cavallo (Fondo Concursable para la Cultura Prize, 2008, Ministry of Education and Culture). Edited by Trilce, Montevideo, Uruguay. [Review, in Spanish].
• TDUEPURC #3 RIOZINHO. TDUEPURC / 7th MERCOSUL Biennial, Porto Alegre, Brazil, 2009.

• “El paradigma Arte otro y un enfoque problemático”, in: Plataforma Tránsito 2008, Ministry of Education and Culture,  Montevideo, Uruguay, pp. 137-138.
• “Texto con tendencia a cero”, in: Plataforma Tránsito 2008, Ministry of Education and Culture, Montevideo, Uruguay, pp. 118-123.
• TDUEPURC #2 CONCHILLAS. TDUEPURC / Plataforma, Montevideo, 2009.

• “Un manifiesto jánico. Aproximación a la poética de Álvaro Figueredo desde una lectura crítica de Testimonio de parte (1956)”. National Library Publications, 3rd Epoch, 1st Year, N. 3, 2009, Montevideo, Uruguay, pp. 117-147.
• “Poesía reciente”, in: “Siete Poetas del Cono Sur”. Punto de Partida, N. 153, Mexico, UNAM, January-February, 2009, pp. 53-56.

2008

• TDUEPURC #1 LA CORONILLA. TDUEPURC / Ministry of Education and Culture, Montevideo, 2008

• “Sobre la otra orilla, de Pietrafesa-Musso”, in: Acontecimiento Plataforma 2007, Ministry of Education and Culture, Montevideo, Uruguay, pp. 9-11.
• “Díptico”, in: Lacasa, Jacqueline (comp.), Nuevas Vías de Acceso III, National Museum for the Visual Arts, Montevideo, Uruguay, pp. 132-135.

2007

• “Lindo pedazo de palimpsesto”, in: Lacasa, Jacqueline (coord.), Palimpsestos. Escritos sobre Arte Uruguayo Contemporáneo 1960-2006, Cuadernos de Arte Contemporáneo, Montevideo, Uruguay, 2007, pp. 115-123.

2006

• El descontento y la promesa. Nueva/Joven narrativa uruguaya. Anthology of young narrators from Uruguay. Achugar, Hugo, comp., Trilce ed., Montevideo, Uruguay.
• “Imagen de Onetti”, in: Relaciones, Montevideo, Uruguay.

2004-5

• Edition, coordination and original texts for .TXT, a monthly digital magazine devoted to South American recent literary production. It was founded in 2004 by a Montevideo-based group of artists and writers (Martín Barea Mattos, Horacio Cavallo, Diego de Ávila, Mariana Figueroa, Virginia Lucas y Francisco Tomsich) and the cell in Rio do Janeiro (Brazil) started to operate in 2012. .TXT was published and propagated along 2004-5 (First Epoch), 2011 (Second Epoch) and 2017-2018 (Third Epoch).

2004-2017

• Collaborator (2004-2007) and staff member (2007-2014) of the weekly journal Brecha (Montevideo, Uruguay), where he publishes literary texts, translations, literary reviews and essays on visual arts and literature. A selection of them (in construction) can be consulted HERE.

2004-6

• A series of articles, translations and essays on literary issues in El País Cultural, Montevideo, Uruguay.

2002

• “University of California Publications in Linguistics and Modern Philology”, in: Milenio, Magazine of the Newspapers and Periodicals Library of the Faculty of Humanities and Educational Sciences / University of the Republic, Montevideo, Uruguay.