2017, Curatorial projects | Proyectos curatoriales, Lectures | Conferencias, Ljubljana, PUBLICATIONS | PUBLICACIONES, Slovenia | Eslovenia, TALGIA

SLOW MOTION SCREAM / KRIK V UPOČASNJENEM GIBANJU

Brez žebljev in podstavkov & Videospotting

Krik v upočasnjenem gibanju
Zgodnja video umetnost z Južnega konusa
(Southern Cone) 

Razstava video del iz Argentine, Čila in Urugvaja
med letoma 1981 in 2001.

Kuratorka: Angela López Ruiz
Uvodna predstavitev in predavanje: Francisco Tomsich

Odprtje: sreda, 11. oktober 2017, ob 19. uri
Projektna soba SCCA, Metelkova 6, Ljubljana
Razstava bo na ogled do 13. oktobra 2017,
od 10. do 16. ure.

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No Nails, No Pedestals & Videospotting

Slow motion scream
Early video art from the Southern Cone
An exhibition of video art works from Argentina,
Chile and Uruguay between 1981 and 2001

Curator: Angela López Ruiz
Introduction: Francisco Tomsich

Opening: Wednesday, October 11, 2017, at 7pm
Project room SCCA, Metelkova 6, Ljubljana
Exhibition will be open till October 13, 10am – 4pm.

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Umetniki: Fernando Álvarez CozziSybil Brintrup & Magali Meneses,Gloria Camiruaga, Juan DowneyRubén Guzmán, Narcisa Hirsch, Los Estómagos,  Clemente Padín, Javier Sobrino & Guillermo FaivovichCarlos Trilnick

Izbor video del predlaga genealogijo pomembnih video umetniških praks, ki so se pojavile v času globokih političnih, družbenih in kulturnih konfliktov.

Predstavitev del (v angleščini, pdf)

Kuratorsko besedilo (v angleščini, pdf):
Ángela López Ruiz: Encounters and networks in the constellation of video art in the Southern Cone (1981-2001)

Francisco Tomsich bo s kratkim predavanjem, v katerem se bo osredotočil na primerjalno analizo začetkov video umetnosti v dveh do zdaj ločenih kontekstih, slovenskem in urugvajskem, naredil uvod v razstavo in jo tudi na kratko predstavil.

Francisco Tomsich: One-direction gaps. Notes on the origins of video art in Uruguay and Slovenia (Fragment) (v angleščini, pdf)

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Artists: Fernando Álvarez CozziSybil Brintrup & Magali Meneses,Gloria Camiruaga, Juan DowneyRubén Guzmán, Narcisa Hirsch, Los Estómagos,  Clemente Padín, Javier Sobrino & Guillermo FaivovichCarlos Trilnick

The selection proposes a genealogy of significant video art practices that emerged in times of deep political, social and cultural conflicts.

Presentation of works (pdf)

Curatorial text ( pdf):
Ángela López Ruiz: Encounters and networks in the constellation of video art in the Southern Cone (1981-2001)

The exhibition will be introduced by Francisco Tomsich, adding a remarkable focus on the comparative analysis of the beginnings of video art in two up until now detached contexts, Slovenian and Uruguayan.

Francisco Tomsich: One-direction gaps. Notes on the origins of video art in Uruguay and Slovenia (Fragment) (pdf)

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2017, Actions | Acciones, ASSOCIATIONS | ASOCIACIONES, GIFS, Iconocante, Ljubljana, Memes, Meta City Symptoms / Materialni Pogoji Produkcije, Slovenia | Eslovenia

Memes (Meta City Symptoms 52)

MATERIALNI POGOJI PRODUKCIJE | META CITY SYMPTOMS 52
Francisco Tomsich | Memes 
Torek | Tuesday | Martes 19.9.2017, 20:00
Podhod Tivoli, Ljubljana

Memes was a projection of a series of 40 ordered memes made combining fragments of the “Epilogue” to G. M. Tamás’s essay Telling the truth about class with a ramdom selection of the artist’s collection of images, the Iconocante. These images are often used as sources for drawings and paintings and have diverse origins: press photography, self-made videos and photos, historical archives, reproductions of artworks, etc. The action was carried out under heavy and persistent rain at the entrance of a tunnel in Ljubljana, Slovenia.

 

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2014, 2015, 2016, Archaelogies | Arqueologías, Cardboard | Cartón, Coal | Carbón, Fire | Fuego, Ink | Tinta, Lime | Cal, Ljubljana, Pigments | Pigmentos, The Burden

Five pieces from the Archaelogies series (Ljubljana)

For the Archaelogies series, fragments of installations, interventions for the public space and studies for paintings are re-composed as autonomous pieces and collages  Five works made at Rog, Ljubljana, Slovenia, between 2014 and 2016. Pigments, coal, lime, acrylics and ink on cardboard, torn and burnt and mounted on paper.

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Open allegories #1, Ljubljana, 2015-2016. Series of 10 paintings, 200 x 140 cm each. Acrylics, oils, pigments, lime, coal, pencil, ink, paper, pastel, plaster, wax and charcoal on cardboard.

2015, 2016, Acrylics | Acrílico, Cardboard | Cartón, Chalk | Tiza, Charcoal | Carboncillo, Coal | Carbón, Deers | Ciervos, Dogs | Perros, Glue | Cola, Heads | Cabezas, ICA | Institute of Consensual Art, Ink | Tinta, Lime | Cal, Ljubljana, Oil | Óleo, Open Allegories | Alegorías Abiertas, Paintings | Pinturas, Pastel, Pencil | Lápiz, Pigments | Pigmentos, Plaster | Yeso, Slovenia | Eslovenia, Wax | Cera

Open allegories #1

Gallery

Five pieces from the Archaelogies series, fragments of installations and paintings made on cardboard then torn and burnt and pasted on paper, 297 x 420 mm each

2016, Acrylics | Acrílico, Archaelogies | Arqueologías, Argos, Cardboard | Cartón, Coal | Carbón, Cy, Fire | Fuego, Lenin, Lime | Cal, Ljubljana, Paintings | Pinturas, Pigments | Pigmentos, Slovenia | Eslovenia

Archaelogies #

Gallery

A selection of drawings made at the studio in ROG, Ljubljana, 2015-2016. In the framework of the on-going project Portretiranje je nevarno igro, by Damián Vega Velasco and Francisco Tomsich. Many friends and visitors were invited to pose for the artists at their shared studio during 2015-2016, and other artists were invited to participate in the sessions.

 

 

2016, ASSOCIATIONS | ASOCIACIONES, Atelje 10, Carbonic paper | Papel carbónico, Charcoal | Carboncillo, Coal | Carbón, Drawings | Dibujos, Ljubljana, Marker | Marcador, Models | Modelos, Paper | Papel, Pen | Bolígrafo, Pencil | Lápiz, Portraits | Retratos, Portretiranje je nevarno igro, Poses, ROG, Slovenia | Eslovenia, Studio Diaries | Diarios de taller

Some portrait sessions at the studio in Rog

Gallery