Melusine’s Works #Spodnji Hotič, Slovenia. In the framework of the project and group exhibition Kuratorij, at the Museum of Pra-Modern Art.

2016, 20th Century Frieze | Friso del Siglo XX, Cardboard | Cartón, Coal | Carbón, Constructions and dismantlings | Construcciones y desmontajes, Group shows | Muestras colectivas, Hotič, Installations | Instalaciones, Kuratorji, Lee Miller, Lenin, Lime | Cal, Melusine's Works | Trabajos de Melusina, Pigments | Pigmentos, Residencias | Residencias, Slovenia | Eslovenia, Temples | Templos, Water | Agua, Wood | Madera

Melusine’s works #Spodnji Hotič

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DCIM100MEDIA

2014, Archaelogies | Arqueologías, Constructions and dismantlings | Construcciones y desmontajes, Drawings | Dibujos, Germany | Alemania, Hamburg | Hamburgo, Lime | Cal, Medusa, Melusine's Works | Trabajos de Melusina, Pigments | Pigmentos, Solo exhibitions | Muestras individuales, Studio Diaries | Diarios de taller, Tempel der Medusa, Temples | Templos

THE REMAINS OF TEMPEL DER MEDUSA

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Two days following the inauguration of the Tempel der Medusa I returned to take some pictures and found that somebody, possibly more than one person, had intervened the installation in a very awesome way. On one side of the temple he, she or they simulated a kind of living room set up with found objects. It looked as if it had been recently used by a group of people sitting round the fire and eating. At closer look one realises that the remains of the “dishes” are made with sand, soil and tree-leaves. Inside the “temple” there is new furniture: a wardrobe, cabinet and closet, while a large tree trunk stands in the middle of the central space by the painted fire. And, rudely embedded on a wall, we see a home-made pink flag with the following words painted in black: “BLEIBERECHT FÜR ALLE” [Right to stay for all]. When I saw this I knew everything was right. The installation had been used, its spirit understood, other meanings superimposed, and a new and anonymous complexity had thus arisen. From Melusine in Lampedusa (Francisco Tomsich in conversation with Polona Fatur), the Introduction to the book Tempel der Medusa | Templo de Medusa (Ediciones del Viento, 2015).

2014, Germany | Alemania, Hamburg | Hamburgo, ICA | Institute of Consensual Art, Lee Miller, Medusa, Melusine's Works | Trabajos de Melusina, Public Space | Espacio público, Studio Diaries | Diarios de taller, Tempel der Medusa, Temples | Templos, The girl in front of Grippo's owen, 1972 | La niña del horno de Grippo, 1972

Anonymous intervention on Tempel der Medusa

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A small tour through Tempel of Medusa in the yard of Frappant e.V., Hamburg, Germany, 9th, June, 2014. Two days following the inauguration of the Tempel der Medusa I returned to take some pictures and found that somebody, possibly more than one person, had intervened the installation in a very awesome way. On one side of the temple he, she or they simulated a kind of living room set up with found objects. It looked as if it had been recently used by a group of people sitting round the fire and eating. At closer look one realises that the remains of the “dishes” are made with sand, soil and tree-leaves. Inside the “temple” there is new furniture: a wardrobe, cabinet and closet, while a large tree trunk stands in the middle of the central space by the painted fire. And, rudely embedded on a wall, we see a home-made pink flag with the following words painted in black: “BLEIBERECHT FÜR ALLE” [Right to stay for all]. When I saw this I knew everything was right. The installation had been used, its spirit understood, other meanings superimposed, and a new and anonymous complexity had thus arisen. From Melusine in Lampedusa (Francisco Tomsich in conversation with Polona Fatur), the Introduction to the book Tempel der Medusa | Templo de Medusa (Ediciones del Viento, 2015).

2014, Germany | Alemania, Group shows | Muestras colectivas, Hamburg | Hamburgo, ICA | Institute of Consensual Art, Installations | Instalaciones, Medusa, Melusine's Works | Trabajos de Melusina, Tempel der Medusa, Temples | Templos, Video

Anonymous intervention on Tempel der Medusa

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1_TEMPEL DER MEDUSA_VISTA DE LA INSTALACIÓN (EXTERIOR)_FRAPPANT e.V., HAMBURG, JUNIO DE 2014_FRANCISCO TOMSICH (Copiar)

2014, Acrylics | Acrílico, Cardboard | Cartón, Chalk | Tiza, Germany | Alemania, Hamburg | Hamburgo, Ink | Tinta, Installations | Instalaciones, Lee Miller, Lime | Cal, Medusa, Melusine's Works | Trabajos de Melusina, Pastel, Pigments | Pigmentos, Solo exhibitions | Muestras individuales, Tempel der Medusa, Temples | Templos, The girl in front of Grippo's owen, 1972 | La niña del horno de Grippo, 1972, Water | Agua, Wood | Madera

Tempel der Medusa, Frappant e.V., Hamburg

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Tempel der Medusa. Opening, 6th January, 2014, Frappant e.V., Hamburg, Germany. 

2014, Acrylics | Acrílico, Archaelogies | Arqueologías, Cardboard | Cartón, Chalk | Tiza, Coal | Carbón, Germany | Alemania, Hamburg | Hamburgo, Installations | Instalaciones, Lime | Cal, Medusa, Melusine's Works | Trabajos de Melusina, Pigments | Pigmentos, Solo exhibitions | Muestras individuales, Tempel der Medusa, Temples | Templos, The girl in front of Grippo's owen, 1972 | La niña del horno de Grippo, 1972, Vernissages, Water | Agua, Wood | Madera

TEMPEL DER MEDUSA / TEMPLO DE MEDUSA (#1), HAMBURG, 6 DE JUNIO DE 2014: INAUGURACIÓN

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2014, Constructions and dismantlings | Construcciones y desmontajes, Germany | Alemania, Hamburg | Hamburgo, Installations | Instalaciones, Lee Miller, Medusa, Melusine's Works | Trabajos de Melusina, Solo exhibitions | Muestras individuales, Studio Diaries | Diarios de taller, Tempel der Medusa, Temples | Templos

TEMPEL DER MEDUSA: MONTAJE

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