2017, Actions | Acciones, Fulda, Light | Luz, Meta City Symptoms / Materialni Pogoji Produkcije, Monuments | Monumentos, Projection | Proyección

Meta City Symptoms 46: Wish you were here (Mick), A monument in three chapters, Chapter II (Fulda)

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A selection of drawings made at the studio in ROG, Ljubljana, 2015-2016. In the framework of the on-going project Portretiranje je nevarno igro, by Damián Vega Velasco and Francisco Tomsich. Many friends and visitors were invited to pose for the artists at their shared studio during 2015-2016, and other artists were invited to participate in the sessions.

 

 

2016, ASSOCIATIONS | ASOCIACIONES, Atelje 10, Carbonic paper | Papel carbónico, Charcoal | Carboncillo, Coal | Carbón, Drawings | Dibujos, Ljubljana, Marker | Marcador, Models | Modelos, Paper | Papel, Pen | Bolígrafo, Pencil | Lápiz, Portraits | Retratos, Portretiranje je nevarno igro, Poses, ROG, Slovenia | Eslovenia, Studio Diaries | Diarios de taller

Some portrait sessions at the studio in Rog

Gallery
2016, Actions | Acciones, ASSOCIATIONS | ASOCIACIONES, Ljubljana, Meta City Symptoms / Materialni Pogoji Produkcije, Slovenia | Eslovenia, Studio Diaries | Diarios de taller

Meta City Symptoms #35

Meta City Symptoms #35 / Remains of a demonstration. Kongresni trg, Ljubljana, Slovenia. This sardonic piece for the Meta City Symptoms project reacts to recent news informing that Burger King Russia will launch in St. Petersburg a limited edition of hamburgers inspired by Russian artist Petr Pavlensky’s works.

 

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2016, Essays on art | Ensayos sobre arte, MACMO, PUBLICATIONS | PUBLICACIONES

An essay and an interview for MACMO magazine

Círculos sobre lo institucional (Circles around the institutional question)* and Una entrevista con Suzana Milevska (An Interview with Suzana Milevska), two texts by Francisco Tomsich published in the Magazine of MACMO (Museum of Contemporary of Montevideo), Vol. 3, N. 1, January-June, 2016.

*Círculos sobre lo institucional se plantea un vuelo sobre la cuestión de lo institucional en el arte, sin intentar una historia de las prácticas etiquetadas como Crítica Institucional, sino usando la historiografía de las mismas como punto de partida para estudiar algunos ejemplos de prácticas artísticas cuya relación con lo institucional, sea su tradición académica o su antigua complejidad, su evidencia, señala algunos de los principales ejes y temas del imperativo político del arte actual.

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ILUMINIRANA TOVARNA | THE ILLUMINATED FACTORY

ROG, LJUBLJANA; 2.7.2016, 21:40

Kolektivna akcija in zvočna intervencija / Collective action and sound intervention

Vsa okna sprednje strani Rogove glavne stavbe so osvetljene s svečami medtem ko bo posnetek kompozicije Luigija Nona za sopran in magnetni trak La Fabbrica Illuminata (1964) predvajan s strehe in »streaman« na Radiu Študent. Proces osvetljevanja in postavljanja sveč traja vseh 16 minut kompozicije. | All windows of one side of Rog’s main building are illuminated using candles meanwhile a record of Luigi Nono’s composition for soprano and magnetic tape La Fabbrica Illuminata (1964) is broadcasted from the roof and streamed on Radio Student. The process of lightning and putting out the candles endures the 16 minutes of the composition.

2016, Actions | Acciones, ASSOCIATIONS | ASOCIACIONES, Light | Luz, Ljubljana, Performance, ROG, Slovenia | Eslovenia, Sound | Sonido

ILUMINIRANA TOVARNA

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